Biography

Nathan Haines is an internationally renowned and much respected musician, DJ and producer that has been at the crossover point between jazz, improvised electronica and soulful dance music for over 3 decades.

Working alongside producer Phil Asher Nathan was a pivotal figure in the pioneering late 90’s London crossover jazz scene and his albums “Squire For Hire” and “Sound Travels” earnt him worldwide acclaim by fusing multiple styles with his distinctive sound and improvisatory approach on flute, soprano and tenor saxophones.

Nathan has recorded 11 solo albums under his own name and has collaborated and recorded with Louie Vega (Elements of Life), Goldie, DJ Scratch, Chaos in the CBD, Jamiroquai, Atjazz, 4Hero, Marlena Shaw, Vanessa Freeman, the New Zealand Symphony Orchestra, and many more incredible artists.

His latest album “Nathan Haines presents The Soft Chaos” is released in October 2026 on Language of Sound with distribution from Rush Hour and is a live trio recording made in just one day, also produced and mixed by Nathan.

Summer 2026 saw the release of “Find Your Way” the debut album with Ibiza based band The Illusions (both produced and mixed by Nathan) . Released on Nathan’s own label Family Affair Recordings set up with DJ and band manager Harry Charles, “Find Your Way” has had radio play from Gilles Peterson plus worldwide DJ support.

As a DJ he has played at Heidegluhen (Berlin), Pikes Ibiza, The Music Room in Melbourne as well as many International Festivals and clubs.

Nathan’s 2024 album Notes was started with Phil Asher in 2019 but with Phil’s untimely passing in 2021, Nathan was tasked with finishing what the pair had started after a 13 year hiatus. Notes features vocalists Vanessa Freeman, Ruby Cesan, Eo, Rachel Clarke and Arjjuna Oakes, beats from Phil Asher, Marc Mac 4Hero, and Frank Booker, keyboardists Michal Martyniuk, Kevin Field, Joe Kaptein and Jonathan Crayford, and a host of other musicians.

Based in Auckland, New Zealand, Nathan is a headline artist at London’s Ronnie Scotts Jazz Club and the Jazz Cafe in London, and he's performed at many international festivals and clubs as both a solo artist and also as a DJ.  

At We Out There 2024 he guested with Ron Trent’s WARM project on saxophone and flute with a vibrant closing set on the main stage on Thursday August 15 - Nathan is returning to We Out Here this summer 2026 with Muscle Cars on August 22.

Nathan released Notes in 2024 with sold out shows at London’s Jazz Cafe on August 9 and Auckland’s Powerstation on November 2.

He has written, recorded and  toured with US soul/jazz legend Marlena Shaw on his 2003 album “Squire For Hire” and she also guested on his 2007 album “Right Now” (released in the UK on Freestyle Records) as well as performing live with her regularly in the UK and Europe since 2001. He has also recorded and toured with the New Zealand Symphony Orchestra – the resultant album “Life Time” features Nathan singing on three tracks with arrangements by the Grammy Award winning arranger and pianist Alan Broadbent.

Nathan is passionate about vinyl and as well as manufacturing his own album titles, he is an avid collector of original pressing albums which often find their way into his regular DJ sets.

Nathan has won New Zealand's Tui Jazz Album of the Year award three times, most recently in 2014 for his small big band/ensemble/vocal album "Vermillion Skies", as well as appearing in international publications Straight No Chaser, UK Time Out, and UK's Music Tech magazine which ran a six page special on the making of his analog straight to tape album "The Poet's Embrace".

To listen visit here:

The Poet's Embrace

Other collaborators include drum and bass producer A-Sides (collectively the pair are known as Sci-Clone with several releases on Metalheadz), New Zealand based producer Chris Cox aka Frank Booker, Jamiroquai, Damon Albarn (who appeared on Squire For Hire), Marc Mac from 4 Hero, Da Lata, Mark de Clive Lowe, UK rapper Ty, DJ/Poet Rich Medina, Italian pianist Marco Di Marco, Level 42 keyboardist Mike Lindup, US drumming legend Billy Cobham and many prominent DJ’s, producers and beatmakers including Masters at Work and Louie Vega (Elements of Life).

The eldest son of jazz bassist Kevin Haines, Nathan was born into a very musical home on the North Shore of Auckland in New Zealand. Along with guitarist brother Joel, the pair alongside their father were playing major international Jazz Festivals in New Zealand by the mid 80’s.

Nathan left for studies in New York in 1991 which immersed him in the worlds of jazz, hip-hop and latin musics, all of which were to become a big part in the bands he went on to later form, and influence the records he would make.

In 1993 UK based DJ Gilles Peterson spotted Nathan playing at Auckland's legendary Cause Celebre nightclub, and suggested to the then MD of Polygram records in New Zealand that he should be signed – which he duly was. 1994 saw the release of the ground breaking “Shift Left” album by Nathan – his first as a solo artist – which blended live rhythms with analog synthesisers, strings, vocals, and turntable scratching. This album won New Zealand Jazz Record of the Year, and was certified Gold, though the final sales figure was double that. It was also released in the UK on the Verve label in 1995, the same year that saw Nathan move to London. “Shift Left” was re-released on Universal Music in 2019 as a double pack vinyl and CD with remixes by Julien Dyne, Frank Booker and P-Money.

To listen visit here:

Shift Left (remastered)

In 1997 Nathan and drum and bass producer A-Sides (Jason Cambridge) formed the experimental cross-over production duo Sci-clone which made jazz inflected dance music for successful independent labels such as Metalheadz and Reinforced – as well as gaining an international reputation for unique, beautifully crafted drum and bass that was musical as well as hard hitting on the dancefloor.

To listen to their latest 2023 release on Metalheadz Music visit here:

Sci-Clone Radio Therapy

Through the late 90’s Nathan teamed up with West London based producer and DJ Phil Asher and their two albums “Sound Travels” and “Squire for Hire” for dance label Chillifunk remain classics with their song “Earth is the Place” featuring Verna Francis becoming ubiquitous after its release in 2000. These albums have since been re-released and are available digitally with new remixes.

To listen visit here:

Sound Travels

Squire For Hire

Nathan also started regularly gigging with US soul legend Marlena Shaw who sung the title track from “Squire For Hire” – propelling the tune into the record boxes of DJ’s the world over.
Other collaborators on the album included UK soul diva Vanessa Freeman, Damon Albarn in his D-2 Gorrilaz guise, US DJ Rich Medina, and the best of the UK’s musicians and singers. After the success of this album Nathan guested on hundreds of records including Jamiroquai (2005’s Dynamite), 4 Hero, Mark de Clive Lowe, Reel People and with Italian pianist Marco di Marco. He also recorded a jazz album with the New Zealand Symphony Orchestra with arrangements by the Grammy Award winning Alan Broadbent, and successfully did a sell-out concert theatre tour in New Zealand which saw tens of thousands experiencing Nathan’s music alongside the magnificent ninety plus Symphony Orchestra conducted by Hamish McKeich.

To listen visit here:

Life Time with the NZSO

Nathan has also played many of the worlds jazz festivals and clubs including the North Sea Jazz Festival, London’s Jazz Cafe and Ronnie Scotts, the Tokyo Blue Note and headlining the Java Jazz Festival.

Long term collaborator and keyboardist/producer Mike Patto teamed up with Nathan in the mid 2000’s and the pair made several records together, culminating in the analog straight to tape album “The Poet’s Embrace” released in New Zealand in 2012, and in the UK on Warner Classics and Jazz in early 2013. Nathan and his band played two sell out nights at Ronnie Scotts in late 2012, which also saw New Zealand pianist Kevin Field join the band – a first for the pair performing together outside New Zealand even though they had shared the stage since the late 1980’s. “The Poet’s Embrace” saw Nathan return to his jazz roots and as well as Nathan’s finest releases showcasing his tenor saxophone playing which is very much to the fore on this album.

Mike Patto’s production and recording skills also shine brightly on the release – originally intended for vinyl but available digitally as well – and the record was recorded straight to a late 1950’s two-track Ampex tape machine with no mixing or overdubs. 

The pair collaborated again for “Vermillion Skies” which debuted at number five in the New Zealand national charts in March 2013 and was also released in Australia.  Also released on limited edition vinyl, the record features Nathan singing on two vocal tracks, plus the addition of a six-piece horn section.

To listen visit here:

Vermillion Skies

2014 saw Nathan release "5 A Day" co-produced with Mike Patto and featuring beats from Marc Mac (one half of UK duo 4-Hero) and New Zealand based hip-hop producer P-Money as well as the vocal talents of Vanessa Freeman and Kevin Mark Trail.

To listen visit here:

5 A Day